Prisoners of History
Keith Lowe, Read by Keith Lowe

Book cover image

Narrated By: Keith Lowe

Duration: 10 hours and 16 minutes

What to expect

A Spectator Book of the Year 2020

A Times and Sunday Times Best Book of 2020
A Mail on Sunday Book of the Year 2020

‘Inspired … Lowe’s sensitive, disturbing book should be compulsory reading for both statue builders and statue topplers’ MAX HASTINGS, SUNDAY TIMES

What happens when our values change, but what we have set in stone does not?

Humankind has always had the urge to memorialise, to make physical testaments to the past. There’s just one problem: when we carve a statue or put up a monument, it can wind up holding us hostage to bad history.

In this extraordinary history book, Keith Lowe uses monuments from around the world to show how different countries have attempted to sculpt their history in the wake of the Second World War, and what these memorials reveal about their politics and national identity today.

Amongst many questions, the book asks: What does Germany signal to today’s far right by choosing not to disclose the exact resting place of Hitler? How can a bronze statue of a young girl in Seoul cause mass controversy? What is Russia trying to prove and hide, still building victory monuments at a prolific rate for a war now seventy years over?

As many around the world are questioning who and what we memorialise, Prisoners of History challenges our idea of national memory, history, and the enormous power of symbols in society today.


Social & cultural history, Historical geography

Listen to a sample

‘[An] inspired idea … Always thoughtful and evocative, sometimes controversial … Lowe’s sensitive, disturbing book should be compulsory reading for both statue builders and statue topplers. Too many memorials of all kinds seek to promote deceits or half-truths.’

‘[A] brilliantly researched and timely book … Lowe is not afraid to tread on sensitive ground, but he does so with the integrity that comes from really knowing his material’

‘Such a provocative perspective makes Lowe’s choice of monuments important. The well-balanced range here enables the retelling of some remarkable war stories, while also providing fascinating insights into the ways different nations have remembered or denied issues around national identity and the glory and horrors of war … this is some of the most thought-provoking writing about the Second World War that I have read for a long while’

‘In this timely book, which neatly combines history, art criticism and travelogue, Lowe examines 25 monuments to the Second World War spread across three continents … Lowe is a fine guide to these monuments because he feels the moral force — for good or bad — of each site he visits’

‘Time after time throughout Prisoners of History, Keith Lowe’s commentaries are more articulate and supple than the monuments they describe, interpret and criticise’

‘Keith Lowe’s book could not be more timely … his observations seem uncannily prescient … he is sharp on cultural and national differences in perceptions of the war’